“Good structure is ironclad.” – Blake Snyder.
We find it across the spectrum of storytelling, from religious texts to children’s fables and mythologies (from the … 3 | PLOT STUDIES: examinations of plots or plot elements, often with an anthropological bent, for the benefit of scholars, critics, or readers. This is an abridged form of a study conducted by Vladimir Propp to compare the elements of various folk tales. Build a framework for stronger characters. How do the scenes fit into the various stages? It reminds me that I need to guide readers through the levels of information or training that I’m providing. The Hero With a Thousand Faces is a fascinating book that deserves a slow, ponderous reading.
The plot of the story begins when Harry learns that Professor Snape is after the Sorcerer’s Stone. And if you use them to their fullest potential, you can take them beyond the written story. Character Arc Plot & Kurt Vonnegut's Story Shapes, November is a magical month.⠀
I think good plot structures also have this “fractal” trait – they can be applied at the macro or the micro level, or anywhere in between. The Anatomy of Story: 22 Steps to Becoming a Master Storyteller, download the free novel outline and training, read 20 Master Plots and How to Build Them, The Thirty-Six Dramatic Situations on Archive.org, I love the idea of a universal story that, Something for beginners/first-timers/everyone, Something for your tribe/frequent readers. If it does, how can I incorporate this stage into my story? Michael Moorcock talks about using the formula in an interview in the book, Death is No Obstacle: MM: Another thing that made an impression on me, though nobody else seems ever to have benefited from it or to understand why I should find it worthwhile, was Lester Dent’s Master Plot Formula. Even though there hasn’t been a study of The Fool’s Journey as a plot structure, I do have a loooong 2-part blog post on how you can use the archetypal story of the Tarot’s major arcana to help you structure your story with myth motifs and imagery. Yet another example that shows that a plot formula doesn’t need to be complicated. For example, one triad I really love is this one that my writing buddy, Andreea, shared with me one day: I used it to write this post, and I use it in all of my stories too. Leaving aside the number, the descriptions that Polti provides are probably too florid for modern tastes, and reference dramatic (stage) works that most of us aren’t familiar with. The Professor lets loose a troll, who nearly kills Harry and his friends. Using repetition and variation: ‘The Three Little Pigs’ Repetition is a fundamental building block of story structure. In addition, Harry finds out that Hagrid let out the secret of the giant dog to a stranger in return for a dragon, which means that Snape can now reach the Sorcerer’s Stone. But the titles and sub-titles can be useful for brainstorming conflicts, and the “elements” are helpful for a quick reference. He claimed that he’d sold over four hundred stories under this formula, and he recommended it to everyone. ⠀ However, if you’re looking for a quick and simple plot formula to apply to your story, you may find The Writer’s Journey better suited to your needs. I’ll be detailing some of my favourite “purpose-built” plot structures below, but your favourite novel, fairy tale, anecdote, triad, or mantra can also act as a story framework. I’m using the terms plot structure and plot formula synonymously. In composing the Odyssey he did not include all the adventures of Odysseus–such as his wound on Parnassus, or his feigned madness at the mustering of the host–incidents between which there was no necessary or probable connection: but he made the Odyssey, and likewise the Iliad, to centre round an action that in our sense of the word is one.
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