Anyone who said they weren’t a punk band didn’t care a few months earlier when those same songs were selling out the Whiskey. And, shoot, it still is glamorous and exciting to us –– there’s always something to keep us excited.” Or on edge. We asked Charlotte to play guitar a few months in since we knew she could teach us how to plug our instruments into an amplifier.
They were so fabulous. We didn't have a choice. You’re #1!” We were so confused. “Great. For me at that moment in my life, because I was three months sober, I had to make a choice. It was a total DIY operation. Caffey: We were definitely in the moment because there were all these major things we had to do ahead of us on any given day. Interestingly enough, with this pandemic we’ll go weeks without talking then all of a sudden we’re texting everyday. Nuh uh, I'm doing every single interview!”. I think I was 22 when we got to #1 and I didn't have any experience. Her highly publicized relationship with Los Angeles Dodger Mike Marshall broke up last year, and while Belinda says that the pair remain friends, the breakup was a difficult one.
Wiedlin: We would work for hours in the studio and then go out all night, every night.
And we showed ourselves: “Hey, we really are something.” I say it not in a conceited way. For one, Ginger Canzoneri, the energetic but inexperienced manager who guided the band from its earliest incarnation to the top of the charts, left the band. “After that screening, they sort of were talking amongst themselves and were like, ‘did I really say that to you?’ And then there were apologies. The Go-Go’s shot the front cover at my studio in Manhattan. A drummer since age fifteen who’d convinced all her high-school friends she was going to be a rock star, Gina sang the likes of “Rocky Mountain High” in one hometown outfit, bounced from one band to another and finally wound up in a Baltimore New Wave group, Scratch’n’ Sniff. They really gelled having Gina on the drums. “I think lots of people figure we’re a fluke,” adds Kathy. It was under a porno house so god knows what was happening above you or what substances were on the floor.
The lyrics are much darker at times than the music sounds. I'd shown Charlotte a song I wrote for my previous band the Textones called “Can’t Stop the World” and she really liked it. Only in a band as gregarious as the Go-Go’s could Carlisle have earned that tag. They loved to be inappropriate and I had no problem with that.
“When it was positive, it was the greatest thing in the world,” says Caffey. I still have it, what’s left of it. “I’m kinda scared. I don't want to do a fluff piece.” They promised, and I promised.
in the Real World – Rolling Stone’s 1987 Cover Story. The Go-Go's circa 1981 (L-R): Charlotte Caffey, Gina Schock (drums), Belinda Carlisle, Kathy ... [+] Valentine (bass, behind Belinda Carlisle’s head), Jane Wiedlin.
Rolling Stone crystalized their image with a 1982 cover story that declared the Go-Go’s “international, filthy rich, jet-setting rock- and screen-star bitch goddesses.” Sure, but they were also a group of plucky twenty-somethings who started a band without knowing how to play any instruments. On the way, teenagers in ruffled shirts and tuxes are whizzing by, so I ask Charlotte about her own high-school prom. But that's all we knew. The crudeness of the Sex Pistols was pure punk but they were still studio musicians who produced a semi-refined recording. One of them said “We're gonna move our equipment to your side of the room and maybe we'll get signed too!”.
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Somehow, the Go-Go’s always seem to know.
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They were supposed to cut that album in three weeks; by then they hadn’t even finished laying down the basic tracks. I hope we never see that man again!” Then six months later when it hit #1: “Richard is brilliant! I thought, my God, I’ve been a good person all my life. Alison is a really good storyteller.
credit: Ginger Canzoneri. “You know what the best part of this is?” said Charlotte, laughing, clearly delighted to debunk another myth. Did you know the impact the Go-Go's were having in breaking down the door for female rock musicians, or you were too caught up in the moment at the time? In This Article: The band members rarely talk about this; it seems they would rather forget that founding member. THE GO-GO’S HAD MADE IT TO GERMANY.
For now, though, it’s the furthest thing from our minds.
And to see people all over the world singing along to us was surreal. Then we got famous and instead of being the Go-Go's against the world it became the Go Go's against each other. viewed the Go-Go’s as a terrific punk band rather than the novelty act that others had passed on. A few weeks later, after a routine checkup, Schock walked into a band rehearsal with a tape recorder strapped to her belt buckle.
Everything was sped up a little bit so I sound like a chipmunk! Along the way, she learned how to handle her ailment. Alison Ellwood: I was thrilled because I've always been a Go-Go's fan. It was playing a lot around the house as kids.
With the Texas native rounding out the quintet, the Go-Go’s were ready for a record deal. But there’s always TV. There was never a day that I didn’t look forward to, because we were such pranksters—we still are. It started Saturday at an Orange County beach. In early 1978, Jane decided to chuck her fashion-design aspirations and founded the Go-Go’s with vocalist Belinda Carlisle, after the two began eyeing each other in clubs. It was only over the next couple of years that it morphed into that aggressive, hyper-masculine bullshit everyone assumes it was. Sure, the Supremes could probably argue that last claim, but when was the last time Diana Ross picked up a guitar or wrote her own songs? Caffey: We were so fucking out of control it wasn't even funny.
Even when the Go-Go’s sucked everyone loved it. Caffey: We got a little too tipsy so then someone got us some blow and that was a really bad decision because we were so high during that show. Schock: All the clubs we played were sold-out. put out records that were eccentric. The Go-Go's. Goodman: They were a pop band with this subtext of darkness because they came out of the punk scene.
“Cute. I fell in love with the Sex Pistols. She said that she feels weird and guilty about relying on me so much at this point, because I also bought her a condominium in Austin. Margot said “I'll play bass!” and Jane said “I'll play guitar!” We had no idea how to do anything but I’d always fancied myself a singer.
He wanted to be a rock & roll singer.
But it was also a chance to set aside memories of some initially shaky Go-Go’s shows –– their Saturday Night Live spot, an unfortunate example –– and prove they could be powerful and cohesive from the start. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Olavarria’s frustration with what she perceived as the Go-Go’s divergence from their punk roots had reached a boiling point when the band decided to replace her with Valentine. “Lust to Love” came from three songs that I thought were just okay but had individual parts I liked. “I think it’s going to be decided by how well people get along with each other, and how much people are willing to adjust to changing times and moods.”. They didn’t care, they were thrilled for the girls. But I don’t have any brothers or sisters and …, “I don’t know,” she sighs. This happens in real life. It’s not wholly foreign to her, though.
Bojangles,” Jerry Jeff Walker, “Mr. Bojangles’ Songwriter, Dead at 78, Tekashi 6ix9ine Transforms Into a ‘Supervillain’ in New Teaser for Showtime, ‘Rolling Stone’ Doc, ‘SNL’: Alec Baldwin’s Trump and Jim Carrey’s Biden Face Off in Final Debate, Adele Reveals on ‘SNL’: ‘My Album’s Not Finished’. Round about 10 o’clock, she and and the gang lit out for this Top 40-type bar — and, wouldn’t you know it, the house band recognized her. We still had crappy equipment though so it sounded like trash. Schock: For each of us, this is the longest relationship that the five of us have ever been in.
(Photo by Paul Natkin/Getty Images). I didn't think I could stay sober in the band because there was too much animosity and too much stuff that had come down. They gave me a moderate budget for Beauty and the Beat, around $35,000. I’ve always loved that they were an all-girl rock band - of course - but also how interconnected they are with punk subculture. It wasn’t just her wrist problem that battered Caffey last year.
So the band’s manager, Ginger Canzoneri, did the only sane thing: she snatched a grapefruit off the groaning board and hurled it.
Schock: Beauty and the Beat was sorta lukewarm until SNL happened. “I became more neurotic and frightened.
Her home is equally stunning, an art-deco pad with black-onyx display cases and neatly arranged stacks of records and videocassettes (heavy on John Waters and David Bowie). “Now they all love the album and say he’s their favorite producer.”, The perfect summer album, Beauty and the Beat didn’t hit Number One until late winter. Just a full appreciation of who they are as musicians and as women who've contributed something to this world that is worthy. Gina Schock let her drums do the talking to produce the distinctive beats that defined the Go-Go’s sound. It's like the kind of thing where you can't help but do it—like if you just have to do it, there's no other thing that you can do, this is it.
Very cool. But afterward, I did.
We’ve been in each other’s lives all this time, it has to be to work out something in this lifetime.
The next thing she knew, her friends had tossed her onstage and there she was, belting out “Head Over Heels.”. According to Jane, the haggling played havoc with the band’s inner strength — and its unity. “After everything that’s happened, I really needed time to be by myself.”, That seems to go for romantic attachments, too.
There are so many childhood emotions and things tied up in rock & roll that even when the logic hits you in the face, it doesn’t always sink in. Gottehrer: They went through their typical punk-rock “wild girls in New York” lifestyle. The Go-Go’s moves through the band’s ups and downs from the early shifts in lineup with the replacements original drummer Elissa Bello and bassist Margot Olavvaria, ongoing addictions, and the difficult separation from their first manager Ginger Canzoneri. Valentine: I always cringe reading that because I don't remember feeling that way.
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