gary puckett & the union gap discography

During the late '60s -- a period forever distinguished as rock's most radical, innovative, and far-reaching -- Gary Puckett and the Union Gap forged a series of massive chart ballads almost otherworldly… Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Chater and Withem left the band; Bement took over on bass guitar and keyboardist, Barry McCoy, and horn player, Richard Gabriel, were added. 2 in Billboard), "Lady Willpower" (No. The session was ultimately canceled, and Fuller never again worked with the group. Fuller, who was in the crowd for both shows, signed the group contingent on their willingness to foster their latent soft rock leanings.

Gary Puckett was born on October 17, 1942 in Hibbing, Minnesota, USA. The juggernaut rolled on, and the group continued rattling off hits -- "Lady Willpower," "Over You," and "Don't Give in to Him" among them -- and also headlined at the White House and Disneyland.

4 on the Billboard Hot 100 chart.

Jerry Fuller gave the act a recording contract with Columbia Records. The Civil War gear was soon jettisoned, but even so, prospects did not improve. 1 in Cashbox, No. Read Full Biography. 3 in Cashbox and No. Puckett's recording contract was terminated one year later. This was followed during the next two years by "Young Girl" (No. Chater moved to Nashville, Tennessee where he worked as a songwriter, and had a minor solo hit in 1977 with the song "Part Time Love" and the albums Part Time Love (1977) and Love on a Shoestring (1978).

They then recorded a demo, which was heard by CBS record producer and songwriter Jerry Fuller. He performed in theatrical productions in and around L.A., but his acting career never really took off, and in 1984 he signed on with the Happy Together oldies package tour. The group, formed by Gary Puckett, Gary 'Mutha' Withem, Dwight Bement, Kerry Chater and Paul Wheatbread, who eventually named it The Union Gap, had its biggest hits with "Woman, Woman", Young Girl", "Lady Willpower", "Over You", "Don't Give In to Him, and "This Girl Is a Woman Now". Bement assumed bass duties, keyboardist Barry McCoy and horn player Richard Gabriel were added, and gospel vocalists the Eddie Kendrick Singers also signed on. Puckett eventually landed with the Outcasts, a hard rock group comprised of bassist Kerry Chater, keyboardist Gary "Mutha" Withem, tenor saxophonist Dwight Bement, and drummer Paul Wheatbread. Likely the only pop band of the era to play two nightly shows in the Catskills -- the early gig for their younger fans, the later appearance for the fans' parents -- the group pioneered the hip-to-be-square concept two decades before spiritual descendants Huey Lewis and the News; clad in Civil War-era get-ups (complete with fictitious military ranks) and bizarrely pedophilic lyrics, Puckett and the Union Gap were in their own way as far-out and singular as any other act of the period. During the late '60s -- a period forever distinguished as rock's most radical, innovative, and far-reaching -- Gary Puckett and the Union Gap forged a series of massive chart ballads almost otherworldly…. Puckett continued making solo appearances in the months to come, but by 1973 he had essentially disappeared from music, opting instead to study acting and dance. As of 2010, Puckett continued to perform live concerts in venues across the US, including "package" oldies circuit tours with the Association and the Lettermen. On June 20, 2010, Puckett performed for the first time in Union Gap, Washington, the namesake city of his former band.

[11] Bement later joined the oldies act Flash Cadillac & the Continental Kids. [4][5], The band recorded their first single "Woman, Woman", a song about a man's fears that his female partner might be considering infidelity, that had been written and composed by Jim Glaser and Jimmy Payne, in August 1967. For reasons unknown, manager Dick Badger -- convinced his charges needed a strong visual hook -- then sent the group to Tijuana, where they were outfitted with Union Army-style Civil War uniforms. Although the band never had a Billboard No. Gary Puckett & The Union Gap (initially credited as The Union Gap featuring Gary Puckett) was an American pop rock group active in the late 1960s.

The band eventually disbanded, and Puckett went on to do both solo work and collaborations. Official site of the singer for Gary Puckett and the Union Gap.

By 1973, he had essentially disappeared from music, opting instead to study acting and dance and performing in theatrical productions in and around Los Angeles. Suggesting a mellower Righteous Brothers sans producer Phil Spector's majestic firepower, the single reached the Top Ten late in 1967 and was a million-seller by February of 1968; concurrent CBS press releases gave each member his own imaginary military rank -- Puckett was the general, Bement the sergeant, Chater the corporal, and both Withem and Wheatbread were relegated to privates. Gary Puckett, Actor: Woody's World. Re-christened the Union Gap in honor of a suburb of Yakima, on August 16, 1967, the band recorded its first single, "Woman Woman." The group, formed by Gary Puckett, Gary 'Mutha' Withem, Dwight Bement, Kerry Chater and Paul Wheatbread, who eventually named it The Union Gap, had its biggest hits with "Woman, Woman", "Young Girl", "Lady Willpower", "Over You", "Don't Give In to Him, and "This Girl Is a Woman Now".

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He is an actor, known for Woody's World (2011), The Glen Campbell Goodtime Hour (1969) and Music Scene (1969). Raised primarily in Yakima, WA, he picked up the guitar as a teen, and while attending college in San Diego played in a number of local bands before quitting school to focus on music. Following the breakup of the Outcasts, Puckett formed a new group he called Gary and the Remarkables, comprising bassist Kerry Chater (born August 7, 1945, Vancouver, British Columbia, Canada),[2] keyboardist Gary 'Mutha' Withem (born August 22, 1944, San Diego),[3] tenor saxophonist Dwight Bement (born December 28, 1945, San Diego),[2] and drummer Paul Wheatbread (born February 8, 1946, San Diego).

The group eventually grew unhappy with doing material written and produced by others, leading them to stop working with Fuller. Gary Puckett & The Union Gap (initially credited as The Union Gap featuring Gary Puckett) was an American pop rock group active in the late 1960s. In 1969, stalemate: Fuller assembled a 40-piece studio orchestra for a new song he had written, but Puckett and the Union Gap refused to cut the tune. Despite earning a strong local following, in 1966 Wheatbread relocated to Los Angeles to serve as the house drummer on the television series Where the Action Is; the remaining members of the Outcasts toured the Pacific Northwest, and on their return, Wheatbread also moved back to San Diego and rejoined the lineup. In 1970 Puckett began recording as a solo act, but with limited success; the Union Gap remained his live backing band until they were dismissed following an appearance at the 1971 Orange County Fair. The members featured costumes that were based on the Union Army uniforms worn during the American Civil War. A demo was soon cut in L.A., and Badger arranged a meeting with CBS producer Jerry Fuller. Under manager Dick Badger, the team was renamed The Union Gap in early 1967, and its members outfitted themselves in Union Army-style Civil War uniforms as a visual gimmick. The band immediately returned to the Top Ten that autumn with the Dick Glasser-produced "This Girl Is a Woman Now," but it was to be their last hit. But there was dissension in the ranks: the Union Gap wanted to write and produce their own material, and Puckett found himself increasingly confined within the CBS-mandated ballad formula. It was quickly certified as a million-selling Gold disc.[6]. Frontman Puckett was born October 17, 1942, in of all places Hibbing, MN, (where Bob Dylan went to high school).

[10], Puckett is married to Lorrie. During the late '60s -- a period forever distinguished as rock's most radical, innovative, and far-reaching -- Gary Puckett and the Union Gap forged a series of massive chart ballads almost otherworldly in their sheer earnestness and melodrama.

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